Victoria Beckham aka Posh Spice versus POSH football

Victoria_Beckham_2010
Source Wikimedia

Following on from my post on Cara Delevingne the brand, I had a look at Victoria and David  Beckham and their brands, as they have been in the news a lot recently after their return to the UK from California.

Victoria Beckham has always been clever in business, and sensibly attempted to trademark the term Posh (her nickname in the Spice Girls) early on.

However, her application was contested by Peterborough Football club who were able to prove they had been known as The POSH since the 1920’s.

Naturally after winning the court case, the club went into action and registered The POSH at the IPO (Intellectual peterborough-unitedProperty Office). However, they seem to have got a rather carried away, and instead of choosing one or two relevant business classes from the 45 Nice scheme like normal, they paid for an amazing 28 classes (see below for details).

So although they are making good use of class 25 for their t-shirts and scarves. I’m wondering how they are planning to exploit class 13 Firearms; ammunition and projectiles or class 34 Tobacco; smokers’ articles; matches. Perhaps they will surprise their fans and branch out into cigarettes.

the_posh_shirtVictoria bounced back from this initial set-back and has successfully established her Victoria Beckham brand in the key luxury product categories of sunglasses, scent and houte couture. According to TheRichest.org her business is currently worth £30 million.

The_POSH

 List of goods or services

Class 03:
Detergents; bleaching preparations and other substances for laundry use; cleaning, polishing, scouring and abrasive preparations; dentifrices; antiperspirants; deodorants for personal use.
Class 08:
Hand tools; hand operated implements; razors.
Class 09:
Apparatus for recording, transmission or reproduction of sound or images; optical or magnetic data carriers; recording discs; video recordings; automatic vending machines; calculators; data processing equipment; computers, computer programs; computer games; prerecorded discs and tapes; protective clothing; and parts and fittings, all included in Class 9 for any of the aforesaid goods.
Class 11:
Apparatus for ventilating, water supply and sanitary purposes; and parts and fittings, all included in Class 11, for any of the aforesaid goods.
Class 12:
Vehicles; apparatus for locomotion by land, air or water; and parts and fittings, all included in Class 12, for any of the aforesaid goods.
Class 13:
Firearms; ammunition and projectiles; explosives; fireworks.
Class 14:
Cufflinks; watches and clocks.
Class 15:
Musical instruments; electronic musical instruments; and parts and fittings, all included in Class 15, for any of the aforesaid goods.
Class 16:
Publications; pens, pencils, writing instruments; playing cards.
Class 17:
Rubber, gutta-purcha, gum, mica; goods made of any of the aforesaid materials; plastics in extruded form for use in manufacture; packing, stopping, insulating and packaging materials; flexible hoses and pipes, not of metal.
Class 18:
Bags, sports bags.
Class 20:
Garment hangers.
Class 21:
Household or kitchen utensils and containers (not of precious metal or coated therewith); combs; sponges; brushes other than paintbrushes; articles for cleaning purposes; steel wool; glassware, porcelain and earthenware, all included in Class 21; mugs, tankards, ashtrays.
Class 24:
Textiles and textile articles; bed and table covers; bedding.
Class 25:
Clothing; articles of outer clothing for men, women and for children; headgear; ties.
Class 26:
Cloth badges; badges not of precious metal.
Class 27:
Carpets, rugs, mats and matting; linoleum and other materials for covering existing floors; floor and wall tiles; wall hangings not of textile; wallpaper.
Class 28:
Toys, games and playthings; gymnastic and sporting articles; articles for use in playing football.
Class 29:
Meat, fish, poultry and game; meat extracts; preserved, dried and cooked fruits and vegetables; jellies, jams, fruit sauces; eggs, milk and milk products; edible oils and fats; prepared meals, goods of Class 29 predominating.
Class 30:
Coffee, tea, cocoa, sugar, rice, tapioca, sago, artificial coffee; flour and preparations made from cereals, bread, pastry and confectionery, ices; honey, treacle; salt, mustard; vinegar, sauces (condiments); spices; ice; prepared meals, goods of Class 30 predominating.
Class 31:
Agricultural, horticultural and forestry products and grains included in Class 31; live animals; fresh fruits and vegetables; seeds, natural plants and flowers; foodstuffs for animals, malt.
Class 32:
Beer, mineral and aerated waters and other non-alcoholic drinks; soft drinks; fruit drinks and fruit juices; syrups and other preparations for making beverages.
Class 33:
Alcoholic beverages other than beer.
Class 34:
Tobacco; smokers’ articles; matches.
Class 36:
Insurance services; financial affairs; monetary affairs; banking services; credit card services; debit card services; exchanging money; investment services; financial sponsorship.
Class 38:
Telephone and telecommunication services; rental of telephone and telecommunication equipment.
Class 41:
Providing of training; entertainment; sporting and cultural activities.
Class 42:
Computer programming; snack bar services; news reporter services; security guard services; crowd control services.
Class 13:
Firearms; ammunition and projectiles

Protecting Cara Delevingne the brand

Cara_Delevingne
Source Wikimedia Commons

I was surprised to see a whole page of a recent Evening Standard devoted to UK and European trademarks.

If you have read this blog before you will know that I consider trademarks to be the most significant form of long term intellectual property protection for most businesses.

In the case of a celebrity such as current top model Cara Delevingne the motivation is often as much about protecting you name from commercial abuse, as profiting from it.

When choosing to register a trademark with either the IPO (Intellectual Property Office) in the UK or the OHIM (Office for Harmonisation in the Internal Market) in Europe you have to choose which of the 45 Nice classes are relevant.

The OHIM database shows Delevingne has applied for four classes at a cost of 1,050 Euros. Not surprisingly many celebrities have registered their names over the years. Only last year the singer Beyoncé tried to trademark her daughter’s name Blue Ivy, but discovered a wedding planning business had pre-empted her.

 

 

onsie
An example of a onsie

According to the Standard, Delevingne’s only aspiration so far is to produce her own brand of onesies. But perhaps these small beginnings could spawn a worldwide fashion brand.

The author of the article Kara Dolman (Kara with a K), was inspired by Delevingne to register her own trademark Kara D. Sensibly she first checked the IPO database (something we often help with in the Business & IP Centre), and chose class 25 covering fashion goods at a cost of £170.

Once the application gets through the two month period allowing for objections, Dolman will be free to pursue her dream of Kara D branded socks. However, I feel obliged to point out that if she doesn’t do so, her trademark will lapse after five years. People often forget that trademarks are designed to protect actual commercial activities, rather than just as a block to others.

Spring Market 2103 competition winners

In January we ran a competition to find designers and makers who have used the Library to develop their ideas, the prize was a day selling their products at our at our Spring Market on Monday 4 March 2013.

The winners of the competition also get training in running a market stall, free business advice through the Business & IP Centre, as well as marketing support from the Library.

I bought some great presents at last years Spring Market so am really looking forward to this one.

Spring Market winners 2013

Ali Miller
Ali’s handmade and UK produced homewares have a traditional, nostalgic feel with a twist of British quirkiness. Her vintage inspired work has been featured in the BBC’s Sherlock Holmes series as well as in notable publications such as Elle, Financial Times and The Telegraph. Ali has attended the Library’s ‘Make it, Sell it’ event and used our Business & IP Centre for research.
www.alimiller.co.uk

ali-miller


Anthropoid Clothing
Using her training as a scientific and natural history illustrator, Abigail Lingford creates bags, home wares, clothing and shoes inspired by her love of science. She was shortlisted for the BBC wildlife artist of the year in 2012 and has been featured in Time Out and The Guardian. She is inspired by our exhibitions, including ‘Out of This World’ on science fiction. She is also a user of our Business & IP Centre which helps her to commercialise her work.
www.anthropoidclothing.com

anthropoid-clothing


Boodi Blu
Upcycling has become increasingly popular in recent years. Boodi Blu’s Sarah Marafie has utilised this to create beautiful bespoke pieces of china and porcelain jewellery. The china she uses has been found buried or washed up on river banks, building an historical story to the jewellery. Sarah has used our Business & IP Centre to better understand intellectual property, copyright and to attend our ‘Knowing your Market’ workshop.
www.boodiblu.com

boodi-blu


Euan Cunningham
A professional artist, Euan has applied his ink and watercolour drawings of London landmarks to items such as greeting cards, mugs, t-shirts and prints. Euan was featured in the Sunday Times and his card designs are now sold in Fortnum and Mason. The Library’s building has influenced his work – watch out for the British Library print!
http://commissionahouseportrait.com/

euan-cunningham


Josie Shenoy Illustration
Josie is an illustrator and designer who is inspired by storytelling and has a passion for fusing hand-made and digital approaches. Josie’s success is growing; she has recently sold her work with Topshop and ASOS. Josie attended our ‘Make it, Sell it’ event and has enjoyed our exhibitions such as ‘Mughal India: Art, Culture and Empire’.
http://josieshenoy.com

josie-shenoy


Lisa Edoff
Swedish graphic designer Lisa Edoff creates beautiful products inspired by folk tales, nature, pop culture and the surrounding environment. She was directly approached by notonthehighstreet.com to become a partner and her products have been recommended by The Independent Magazine. Lisa has used our Business & IP Centre to attend our ‘Beginner’s guide to IP’ workshop, get one-to-one business advice and to network with other makers.
www.lisaedoff.com

lisa-edoff


Lucy Alice Designs
Lucy Porter has been creating gifts, cards, jewellery and homewares since 2011, all of which are influenced by her love of illustration and the British outdoors. Lucy was Runner up in the New Design Britain Awards in January 2012 as well as an exhibitor at MADE 12. Lucy has used the Library’s Business & IP Centre to research intellectual property and to create her business plan as well as researching British wildlife in our wider collections.
www.lucyalicedesigns.co.uk

lucy alice designs


Motties
Environmentally friendly Motties, are cosy and stylish slippers handmade from recycled leather materials. Alexa Mottram, the designer and creator of Motties, donates £1 from every sale to the homeless charity Emmaus. Alexa has received notable press coverage from The Independent, The Daily Telegraph and The Guardian. Her focus is on ethical fashion and she used the Library’s collection to research her MSc in Sustainable Architecture and Energy Studies, which has influenced her design work.
www.motties.co.uk

motties


Nette’ Leather Goods
Talented Californian turned Londoner, Johnette Taylor produces high quality leather goods such as purses, iPad cases and bicycle accessories. Her hand crafted accessories are made to last as well as being designed for functionality and attractiveness. In 2010, Johnette won a start up grant from the Prince’s Trust, and is currently a finalist in the Brand Amplify competition. She attended our creative and fashion meet-ups and training sessions on copyright and registered designs.
www.netteleathergoods.bigcartel.com

nette-leather-goods


The English Tee Shop
Alia Qadir designs and makes a range of luxurious printed t-shirts for women. Her emphasis on Englishness is central to the brand and can be seen through her use of the English language on the t-shirts as well as manufacturing her line solely in the UK. Alia has used the Library’s Business & IP Centre to do market research and has attended a trends workshop with our partner Insider Trends.
www.theenglishteeshop.com

the-english-tee-shop


Wonderhaus
Wonderhaus is an urban jewellery brand created by Julia Roy Williams. Julia gathers inspiration from urban environments, looking at architecture, music and other sub cultures and transforms this into beautiful jewellery made from materials such as bronze, leather, perspex and rubber. Julia’s jewellery has been recommended by The Sunday Times and Grazia as well as being seen on celebrities such as Erin O’Connor. Julia has been inspired by our exhibitions, including ‘Magnificent Maps’, our online gallery of images and our St Pancras flagship building.
www.wonderhaus.co.uk

wonderhaus

Spring Market 2013 competition: Made with the British Library

spring-market-comp-web-pageOur Spring Market in 2012 was such a success, we decided to run it again (surprise).
So if you are a designer or maker and you have used the Library to develop your idea, why not apply?

The prize is a stand at our Spring Market on Monday 4 March 2013 on the British Library Piazza in London. The Market is part of our Spring Festival and will show off the work of ten of the most innovative jewellery, fashion, homeware and craft designers who have used the British Library. If you have attended an event, used our Business & IP Centre, seen an exhibition or have a Reader Pass you are eligible to enter.

We have up to 5,000 visitors at any one time. You’ll be able to exhibit and sell your products to our visitors for the day, get experience and training in running a market stall, gain free business advice through our Business & IP Centre, plus lots of marketing and press exposure.

See the winners of last year’s Spring Market competition

Your prize

  • A market stall during the Spring Market. We will provide a stand, fabric covering and basic staging.
  • A workshop on how to dress your stand and gain the most out of the opportunity.
  • Your work featured on the British Library website.
  • We will promote your products via the British Library’s marketing channels including Twitter, Facebook, blogs and our website.
  • You’ll be included in a British Library press release sent to major national and local publications.

Competition criteria

We are looking for designers and makers who:

  • Produce fine art and photography, graphic art, jewellery, crafts, home-ware, fashion or other products.
  • Have been trading for at least six months in the UK.
  • Have a product range which has potential to make a fantastic visual display on a market stall.
  • Can sell the majority of products for around £30 or less (so that it is affordable for passing trade). Although it is fine to have a small range of high-end products to show the full range of your work.
  • Are able to attend the workshop for competition winners on Friday 8 February 2013.
  • Have used the British Library e.g. for events, exhibitions, our collections and Business & IP Centre.

How to enter

Complete our word document form and email it to springmarket@bl.uk by midnight on Sunday 27 January 2013.

Download the application form

Read our competition terms and conditions

Key dates

Midnight on Sunday 27 January 2013: Deadline for the competition
Friday 1 February 2013: Winners announced via email and on our website
Friday 8 February 2013: Workshop for the winners
Monday 4 March 2013: ‘Made with the British Library’ Spring Market

Your New Year’s resolution – a new website?

Arganic oil bottleFor many small business their website is the key element of their marketing strategy. So I am often surprised just how poor some of these are. One of the worst consisted of white text on a bright red website which meant I couldn’t look at it for more than a few seconds without hurting my eyes.

So as well as emphasising the importance of a blog in bringing in visitors, I always encourage people to get a professional looking website that matches their product or service.

Dana Elemara’s Arganic website is an excellent example of how to use high quality photos and illustrations along with consistent page design and text fonts.

Which brings me to Sarah Warsop the British Library’s jewellery designer in residence. My colleague Fran Taylor our Marketing Manager for Creative Industries has been helping Sarah to discover inspirational collection items in the library.

My job has been to help Sarah develop the business side of her creative activities.Her previous website was more focussed on her dance practice and her other creative projects. She wanted a site that would be easy to setup and maintain, and to better show her amazing jewellery designs. And of course I suggested she include a blog.

So I was really excited to see this week that she had taken the plunge and moved to a new site using SquareSpace. In my opinion the result is simply stunning. http://sarahwarsop.com/

Sarah Warsop new website

 

On the Road again with Jack Kerouac and the American landscape

kerouac1As I have mentioned before, the British Library is a constant source of cultural surprises and delights.
This time the source is our display of the original 150 foot long manually typed manuscript scroll of Jack Kerouac’s modern classic On the Road. I popped down one lunchtime to have a look at this unusual form of a first draft of the novel, which I had last seen in Russell Brand’s infamous BBC documentary following some of Kerouac’s routes across America.

The notes alongside the display in the library were intriguing and made it sound as though this unedited version would make for a more interesting read than the modified published edition of the book.

on_the_road_scroll
Source – http://ontheroad29.wikispaces.com

Fortunately our shop stocked both the ‘proper’ version and a Penguin edition of the original scroll (in book form). A week later and I have finished this amazingly freewheeling and raucous book and regret not having read it years ago. Kerouac is superb at bringing to life the prodigious American landscape as he criss-crossed the country hitch-hiking and driving various borrowed cars.

His evocative road trip text took me back to my gap year trip, travelling 13,000 miles around the USA and Canada on a motorbike. In particular the steamy heat of New Orleans, the vast open plains and die straight roads of Texas, and the chilly winding passes of the Rocky Mountains heading into New Mexico. I also fell in love with the poetic names of towns encountered along the way such as Indio, Blythe, Salome, Flagstaff, Wichita, Rapid City, Des Moines, Mobile, Clint and my favourite Cimarron at the foot of the Rocky Mountains.

I have to admit the idea of reading a book with no paragraphs and little punctuation was somewhat intimidating, but the story grips you like a roller-coaster from the beginning, and I found myself not wanting to get off. I enjoyed the fact this version contained all the real names, places and sometimes shocking details (mostly changed in the edited version to avoid libel cases and the censor).

As the back page blurb puts it;
‘In this influential odyssey of jazz and drugs, of filling stations and marriage licences, of sex, and poolsharks, and hiballs, Kerouac tells the real story of his travels with car thief and Beat icon Neal Cassady, and the famous friends they met, drank with, and ignored.’

Perhaps the biggest surprise came from the reading the 100 pages of notes that came with the Penguin version. The manuscript had gained mythological status from the story that Kerouac wrote it in one continuous three week blitz, fuelled by coffee and Benzedrine. I found it hard to believe such a literary feat could be produced just like that out of thin air, and the reality proved very different. The manuscript was actually the culmination of many years of experimenting and frustration for Kerouac in trying to create what he called the “Official Log of the Hip Generation”. So although written in a whirlwind of manic typing, Kerouac had several previous manuscripts to call on, as well as being surrounded by piles of notebooks and letters.

An unexpected surprise came in the last few pages of the book as Kerouac, Frank Jeffries and Neal Cassidy (the unlikely hero of the story) and roll into Mexico City towards the end of their final road trip. Apparently a dog called Potchky had eaten the final section of the scroll. It seem hard to believe that this mythological ‘dog ate my homework’ excuse used by teenagers across the world, had actually befallen the sole copy of the novel. Fortunately the editor of the Penguin edition was able to use a revised version written by Kerouac shortly afterwards, so no harm seems to have been done to the ending of story.

For me the biggest irony of the intense three week writing period designed to capture the essence of this new era, was that it took a further six years and much wrangling between the author and publishers before the print version finally appeared in bookshops.

On_the_road_book

 

University College London Enterprise, Camden Council, Citrus Saturdays and Circalit

An interesting event this evening at University College London Old Refectory for a talk about the partnership with Camden Council business support and UCL Enterprise.

Timothy Barnes, the Director of Enterprise Operations at UCL gave an energetic talk about a selection of UCL activities to support entrepreneurs from within their 25,000 student body as well as entrepreneurial Camden residents.

Perhaps the most surprising and certainly the most youthful project is Citrus Saturday, which from small beginnings has spread across several European cities:

Citrus_Saturday_logoAround sixty 11 to 14-year-olds, drawn from a range of schools in the borough, will run stalls selling lemonade and other citrus products such as orange smoothies and lemon ice cream. The stalls will be located in ten prime locations, for example, Euston Station, Tavistock Square Park and Brunswick Centre. The children will be supervised by a trained volunteer drawn from the UCL student body, who will have acted as a ‘business mentor’ throughout the training programme.

Citrus Saturday is designed to infuse children with a spirit of enterprise. It aims to teach them the basic business and, indeed, life skills necessary to become successful, contributing members of their communities.

It’s also an opportunity for families, schools, businesses, students and even members of the public, to unite for a common purpose – to train the next generation of entrepreneurs through a free, enjoyable, engaging activity. Children will learn how to set goals, create budgets, secure investors, select a site, purchase supplies, serve customers, make a profit and repay investors.

Citrus Saturday offers many of Camden’s young people their first experience of these life lessons. It may be some time before they are thinking about going out into the world and making a living, but in the meantime we aim to boost their confidence and instil self-esteem – all while making sure they have fun, of course.

By chance I found myself sitting next to Raoul Tawadey the founder of one of UCL ‘s success stories Circalit.

Circalit is the best place to discover new authors and share stories online. You can read thousands of fantastic stories on Circalit for free by visiting the hot reads section.

Circalit aims to be the YouTube or SoundCloud for new writers. As Raul pointed out to me, there are many more writers in the world than video or music creators, but they don’t have a place to get exposure as the traditional publishers are swamped with manuscripts. The website also includes writing advice from professionals such as Sopranos scriptwriter Nick Santora. Circalit looks like a really interesting service to aspiring writers.

Circalit_logo

 

Soul Trader – Putting the heart back into your business

Rasheed_OgunlaruRasheed Ogunlaru, life and business coach has been a Business & IP Centre partner since our earliest days. In addition to running the Your life, your business workshop once a month in the Centre and mentoring aspiring entrepreneurs with TieUK, he singlehandedly converted me to the benefits of life coaching.

I have to admit that perhaps due to a scientific background, or perhaps just plain old cynicism, I had always been wary of life coaching. I decided the only way to address this prejudice was to attend Rasheed’s workshop five years ago. After three hours I was entirely convinced by his eminently practical approach, to putting your heart and soul into your business.
So it is great to see his practical philosophy translated from workshop to published book in the form of Soul Trader published by Kogan Page. And having read it through this week,  I would put it at the top of my list of recommended reading for everyone starting (or growing) a business. I am still a big fan of Starting Your Own Business: The Good, The Bad and The Unexpected by David Lester, but Rasheed has addressed the key issue of what you really want to get from starting a business, and to make sure you end up running it, instead of it running you and your life.

Soul_Trader_coverHis introduction sums it up nicely:

Most people do not go into business solely to make money. They want to make a living, make an impact, make a contribution, make a statement, make something of real worth and value. They want to enjoy what they do, and make themselves happy and their families secure and proud. They want to make a break from the humdrum, and express their skill and abilities. But sooner or later many business owners fall into the same old trap, lose sight of what’s important and struggle with life balance.

The book consists of eight C’s made up of seven chapters and a ‘plus’ which focusses on insights to help anticipate and embrace Change.

  1. Clarity: Know your mission, talents and values.
  2. Customers: See life through customers’ eyes to win their custom and loyalty.
  3. Courage:  Unleash your inspiration / wisdom and adopt an athlete’s attitude.
  4. Co-operation: Punch over your weight; collaborate. Use / build your network.
  5. Conversations: Learn the art to connect, converse, create and convert leads.
  6. Creativity: Know when to work, rest and be at your best, (re)gain life balance.
  7. Compassion: Connect from the heart – be transformational not transactional.

Early on Rasheed gets the you to conduct a personal SWOT analysis. Which is an excellent way of discovering what you do well, and what you need to work on or get help with.

heart_and_chairThe book is peppered with examples from his hundreds of clients over the years, and covers a problem I have encountered many times, which he calls the ‘blindness of the visionary’. People become so (understandably) obsessed by their business idea or invention, they completely forget about their customers. This leads to a very expensive and risky approach to market research, where you bring your product or service to the market and then find out if anyone will buy it. Much better to find out as you develop your idea and tailor it to what you customers say they want.

Once again Rasheed gives a practical solution to this problem by showing how to map out your customers. He also explains how to develop a set of customer ‘scenarios’, to help understand the psychology of your customers. He doesn’t shy away from the realities of doing business in the real world as a soul trader. Without sufficient income (and avoiding the number one cause of failure – cash-flow) your business will not survive. Even social enterprises have to generate enough money to pay their staff and to invest in growth if they are to succeed. These are the hard questions that so many avoid tackling in their business plans:

  1. How much money to you need to live on, and to break even in business?
  2. How much money do you seek to make this year, next year and the year after in turnover – before costs and tax – and in your personal profit after cost and tax?
  3. On average how many sales or customer does that equate to per month and year?
  4. What specific action are needed to reach those goals, and what are the challenges?
  5. What evidence, research and assumptions are those figures based on?
  6. Looking again at those figures, what are a) realistic, b) optimistic and c) pessimistic sales figures for the next 12 months, and what would they mean to you and your business?
  7. What are your main products and services? How are they priced? What are all the costs involved? Which are the most lucrative? Which incur the most costs? Which involve the most hard work? Which are most dear to your heart and to your customers?

I have been talking to lots of makers recently such as jewellers, and many haven’t properly come to terms with the issue of wanting to make everything by hand themselves, but also selling enough items to make a living.

Rachel_ElnaughCourage is term one doesn’t  come across often in business books, but Rasheed rightly recognises that this is an essential ingredient in business, and gives practical tips on how you can develop it. I am constantly in awe of the people I meet who are at the beginning of a journey that would terrify me. The book contains an example from ex-Dragon and Business & IP Centre supporter Rachel Elnaugh. Rasheed asked one simple question during an advice session, and at a stroke gave her an insight which revolutionised her life. “I can honestly say that session with Rasheed was like walking through a doorway that has led me into a completely new and completely fulfilling life where success, money and love are all now flowering.”

Cooperation is an undervalued aspect of business, with many people I meet worrying about their competition before they have even started trading. The book talks about the importance of developing business partnerships through cooperation. And again Rasheed gives practical advice on how to grow and then utilize your support networks.

Conversations, which convert contacts into customers replace the ‘hard sell’ for soul traders. After all, no-one wants to be sold to, but everyone wants their opinion to be listened to. This chapter also includes how conversations work via social media channels and what precautions you need to take them online. There a lots of practical examples here, including how to deal with complaints by using, Acknowledge – Reflect back – Say what you can do.

Towards the end of the book Rasheed introduces his two-page business plan. As he says, ‘Business plans are written for two purposes and for two audiences: 1) for you to identify who and where you are, where you’re going and how you’ll get there; and 2) for investors or funders for the same purpose. If you’re seeking funding from others then you’ll need a longer, more detailed business plan…”

To sum up, I found Soul Trader to be clear and simple, friendly and supportive, passionate and soulful – just like Rasheed himself.

Royal Diamond Jubilee, Olympic and Paralympic souvenirs

diamond_jubilee_rain_050612-matt-web_2239104aIt has been quite a summer in Britain this year, and I’m not just talking about the weather.

First we had lots of celebrations and events to mark the Queen’s Diamond Jubilee. The biggest was the rain lashed Thames Diamond Jubilee Pageant, with 1,000 boats assembled from across the world. Once again the Telegraph cartoonist Matt (left) summed it up perfectly.

Then we had the London 2012 Olympic games, closely followed by the Paralympic games (not ParaOlympics as some thought).

In keeping with the business nature of this blog, I’ve been keeping an eye out for memorable memorabilia for these three ‘once in a life-time’ events.

maamiteI think my favourite has to be the Ma’amite jar adapted from the long-standing Marmite brand. It’s a bit cheeky, but not too disrespectful of the Queen. And it seemed to find favour with supermarket buyers, as it seemed to appear in everywhere during June. In case you bump into her Majesty, you will need to remember it’s pronounced Mam as in Jam, not Ma’am as in arm.

A rather less respectful, but also best selling product was the Diamond Jubilee Sick Bag. This was a natural follow up to graphic artist Lydia Leith’s unusual souvenir to mark the royal wedding between Prince William and Catherine Middleton in 2011. There is a strong tradition of not taking those in power too seriously in the UK, so it was not such a surprise to see this novelty item become something of a best-seller.

Diamond_Jubilee_sick_bag

Waving_QueenI actually prefer the Waving Queen toy, whose solar power handbag meant she would give a proper royal wave whenever the sun came out. I was given one as a present, so took her on holiday to France where she made a great impression on the local gendarmes. We were even given a formal salute, and a french accented ‘God bless her Majesty’, as we drove through a police road block in Normandy.

We spent the holiday trying to perfect the energy saving royal wave twist of the hand.

Waving_Queen_in_Normandy
Waving Queen on tour in Normandy

I think my least favourite item has to be from the Royal Mint in the shape of these specially produced five pound coins. For some strange reason they have chosen a particularly grumpy looking Queen to go on the back (or is it the front). By the way, how do you call heads or tails, when the coin has only heads?

Queen_Diamond_Jubilee_five_pound_coin

Moving on to the London 2012 Olympics we have a rather motley set of  memorabilia.

Anything that is encumbered by the dreaded 2012 logo is damaged goods as far as I am concerned, even if I have not been taken in by the ridiculous Zionist conspiracy theory.

Olympics_logo

Thanks to the post games sales, I managed to pick up a Wenlock for a knockdown price, so am now in possession of this slightly scary cyclops.

Wenlock

You can read the background to Wenlock and Mandeville on Wikipedia. I tend to agree with the critic claiming that the pair were the product of a “drunken one-night stand between a Teletubby and a Dalek”.

I have to admit I haven’t seen any of these for sale, but the Olympic Condoms story is too good to miss.

Apparently 150,000 free condoms were given to athletes participating at the London Olympics, which is 50% more than at the Beijing Games in 2008. That works out to 15 condoms for each of the 10,500 competitors who stayed in the Olympic Village.

olympic_condom

olympic_condom_advert

At the other end of the cost spectrum are signed framed photo montages of previous Olympic champions. For example one signed by Kelly Holmes, Daley Thompson, Steve Redgrave, Seb Coe and Chris Hoy is a snip at £1,000.

If you fancy an umpire’s chair or other more practical souvenir of the games such as a super-long bed, just visit Remains of the Games website.

Adam_Hill_GamesmakerI have really struggled to find any specific Paralympic souvenirs, so I think I will have to go with the knitted Adam Hill. Adam was the host of The Last Leg, the surprise hit TV show of the Paralympics.

A fan of the show decided to create a knitted Adam Gamesmaker and to auction it on eBay for charity. Thanks to extensive use of Twitter on the show, the auction went viral and when last heard the bid price had exceeded £30,000.

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Postcript:

It seems as though I wasn’t the only one to be worried by Mandeville and Wenlock. Although on the positive side perhaps my £2 purchase above will be a collectors item in the future. How Mandeville and Wenlock derailed Hornby.

Inspiring Entrepreneurs: Forward-thinking Fashion

Tonight’s excellent Inspiring Entrepreneurs event looked at different approaches to ethical, environmentally-friendly and sustainable fashion.

Rather than seeing ethical fashion as an add-on, our speakers are taking advantage of new technology and practical innovative business models to make them more creative and also sustainable in the long-term.

Tonight was run in partnership with  London College of Fashion’s Centre for Fashion Enterprise (CFE) and Designer-Manufacturer Innovation Support Centre (DISC).

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Christian Smith is Corporate Responsibility Manager at ASOS, and has an MSc in Environment and Sustainable Development from UCL. His work at ASOS includes measurement of greenhouse gas emissions, helping the company to understand its impacts and opportunities for improvement.

Annegret Affolderbach is designer and founder of Choolips, who revive  ancient textile traditions. She is passionate about sustainable fashion, and the exciting and potent future it presents for global fashion. Her range is now sold through the ASOS Green Room.

Annegret spent a year and a half after graduating collecting ideas on Post-It notes trying to work out how she could use her talent to make a positive difference to fashion in the world. She also felt the need to be inspired for her whole business career, rather than a short term goal.

Annegret spent another year travelling and listening, visiting the Gambia to learn about Batik, and how the local producers thought about their lives and impact on their local environment.

She was determined to create a product that would be harmonious to both the producers and consumers of the products, and started with just two simple dresses.

Electrobloom flowerMark Bloomfield with a background experience of designing wearable accessories for brands such as Vivienne Westwood, Matthew Williamson and Asprey, talked about developing his own jewellery business, Electrobloom.

This has been inspired by how the worlds of nature, art, technology and science collide, he produces unique jewellery designs using 3D printing technology.

Eleanor Dorrien-Smith is the founder of PARTIMI, and graduated from Central Saint Martins with a BA in Fashion and Print. She has worked for Mary Katrantzou, Tata Naka, John Galliano and Eley Kishimoto before setting up PARTIMI. After creating a capsule collection for US retailer Anthropologie, the PARTIMI ready-to-wear collection was launched in 2010. The PARTIMI collections are defined by striking prints, a distinctive personal narrative and an environmental edge.

The evening was chaired by Melanie Frame, Sustainability Manufacturing Developer at London College of Fashion (DISC). Melanie is part of the DISC project to support fashion manufacturers and designers to innovate their production process. Melanie has been involved in various sustainability projects helping small businesses to set up sustainable and ethical practices.

A question about the concentration on sustainable supply lines led to a fascinating discussion about the speaker’s views on what sustainable fashion means to them.

For Mark it was about recreating a made-to-order type of personalised shopping experience, which gives a more engaged experience for customers.

For Christian improving the welfare of the environment and fashion producers are an important new additional part of the business model, from the traditional success measures of company share price and market share.

He talked about how the Green Room at ASOS helps breakdown the enormous challenges of sustainable fashion into bite sized chunks, making it more manageable. Also telling the story behind the product is another way of engaging customers and staff.

He gave several examples of innovation and change:

The discussion ended with a transparent discussion of producer pricing and markups that are common in sustainable fashion.

My colleague Fran Taylor who organised the event has written an excellent review of the evening on her Creative Industries blog .